<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Youth Magazine ]]></title><description><![CDATA[Youth Magazine ]]></description><link>https://www.youthmagazine.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Wed, 15 Jul 2026 22:24:30 GMT</lastBuildDate><atom:link href="https://www.youthiesmagazine.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Capri: Where the Idea of the Italian Vacation Was Born]]></title><description><![CDATA[Today, summer is synonymous with the sea, aperitifs at sunset, and days without a schedule. But the very concept of a vacation is much more recent than one might think. For centuries, travel was not for leisure: it was for education, trade, or necessity.
]]></description><link>https://www.youths.com/post/capri-where-the-idea-of-the-italian-vacation-was-born</link><guid isPermaLink="false">6a3bcfea033a541103e7f6bb</guid><category><![CDATA[Culture]]></category><pubDate>Wed, 24 Jun 2026 13:21:22 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_3ceb36f4d63d4f0d81aff00ade218519~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[The Art of Aging and the Anxiety of Staying the Same: From Cindy Sherman]]></title><description><![CDATA[

One blue eye wide open, the other closed. Her mouth twisted into a grimace created in post-production, her teeth painted white against a gradient carmine-red background, almost clown-like. Half the face in color, half in black and white. It is *Untitled #632*, one of the images with which Cindy Sherman—who turned seventy-two in January—once again tackles the theme that our image-obsessed society continues to treat as a taboo: aging.



]]></description><link>https://www.youths.com/post/the-art-of-aging-and-the-anxiety-of-staying-the-same-from-cindy-sherman</link><guid isPermaLink="false">6a36f51791a8121cb984d79c</guid><category><![CDATA[Art]]></category><pubDate>Sat, 20 Jun 2026 20:18:51 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_f59f43b494354a9f856909ec1f079125~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[To Live, To Love, To Disappear: Goldin, Morrisroe, and Photography as Survival]]></title><description><![CDATA[There is a photograph in which everything seems on the verge of collapsing. Two bodies close together, a direct gaze, the dim light of an ordinary interior. There is no distance, no protection. Nan Goldin wasn’t merely observing that scene—she was part of it. The same is true of Mark Morrisroe, who, in his self-portraits, transformed his own existence into visual material—unfiltered, defenseless. In the 1980s, between New York and Boston, photography ceased to be a document and became a matter o]]></description><link>https://www.youths.com/post/to-live-to-love-to-disappear-goldin-morrisroe-and-photography-as-survival</link><guid isPermaLink="false">6a36f29798bf123ab4b4f850</guid><category><![CDATA[Art]]></category><pubDate>Sat, 20 Jun 2026 20:10:51 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_f3c8f2bdca8e4ec7809063add86f960a~mv2.webp/v1/fit/w_681,h_383,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[A time without Wi-Fi: is it nostalgia, or a longing for what we never had?]]></title><description><![CDATA[A red car packed with kids, the tailgate open on a country road. A ball rolling down a cobblestone alley while two kids play tennis with a single racket. Hands stained with tomato breaking off pieces of bruschetta in the sun. A ride on a Vespa along the waterfront, without a helmet. The images scroll by, all looking the same, especially in the summer, across dozens of accounts: grainy film, low light, no smartphones in sight. The caption, almost always, says the same thing. Once upon a time, the]]></description><link>https://www.youths.com/post/a-time-without-wi-fi-is-it-nostalgia-or-a-longing-for-what-we-never-had</link><guid isPermaLink="false">6a301fd2c0b3ed92b0fad322</guid><category><![CDATA[Culture]]></category><pubDate>Mon, 15 Jun 2026 16:06:14 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_6d2e9119b50f4792b0706bb69abf653b~mv2.jpg/v1/fit/w_709,h_945,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Vintage music and the need to slow down: the return of the underground in an era where everything is always visible]]></title><description><![CDATA[There were clubs without specific signs, concerts announced with poorly photocopied flyers, hand-duplicated cassettes, and DJs who became legends without ever showing their faces. Music, before being content, was an environment. A physical space to navigate. It took time to enter it: you had to know where to go, who to follow, what to look for.



Today, music is everywhere. It flows continuously through TikTok, algorithmic playlists, Reels, fifteen-second snippets, and weekly releases designed ]]></description><link>https://www.youths.com/post/vintage-music-and-the-need-to-slow-down-the-return-of-the-underground-in-an-era-where-everything-is</link><guid isPermaLink="false">6a287589579005354a9f6031</guid><category><![CDATA[Culture]]></category><pubDate>Tue, 09 Jun 2026 20:27:02 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_87844e8bc7a84a8e8b95359b993e0483~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Living, Loving, Disappearing: Goldin, Morrisroe, and Photography as Survival]]></title><description><![CDATA[There is a photograph in which everything seems on the verge of breaking. Two bodies close together, direct gazes, the dim light of an ordinary interior. There is no distance, no protection. Nan Goldin wasn’t observing that scene: she was part of it. The same goes for Mark Morrisroe, who in his self-portraits transformed his own existence into visual material, unfiltered, defenseless. In the 1980s, between New York and Boston, photography ceased to be a document and became survival.]]></description><link>https://www.youths.com/post/living-loving-disappearing-goldin-morrisroe-and-photography-as-survival</link><guid isPermaLink="false">6a155b2c5053032b84b99ed7</guid><category><![CDATA[Art]]></category><pubDate>Tue, 26 May 2026 08:52:08 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_5428517f942a44ed8993bba03983eb0d~mv2.webp/v1/fit/w_886,h_885,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Derek Ridgers: Between Punk and New Romantic—London’s Tribes Before Global Fashion]]></title><description><![CDATA[In Derek Ridgers’ photographs, there is a moment when style ceases to be mere surface and becomes a language. It is not fashion—or at least not yet. It is something more rigid and urgent: a code. A way to recognize one another, to declare oneself, to exist in public space without having to explain anything. ]]></description><link>https://www.youths.com/post/derek-ridgers-between-punk-and-new-romantic-london-s-tribes-before-global-fashion</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc101</guid><category><![CDATA[Culture]]></category><pubDate>Thu, 14 May 2026 10:02:58 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_5ce86608049a412087581f39bde12920~mv2.avif/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Dalí’s house reflects his obsession, a far cry from contemporary aesthetics]]></title><description><![CDATA[In Port Lligat, a small village on the Catalan coast overlooking the Mediterranean, Salvador Dalí built something that bears very little resemblance to a house in the traditional sense. There are giant eggs on the roofs, snakes winding through the walls, theatrical curtains suspended above swimming pools as narrow as corridors, and living rooms filled with objects that seem utterly incompatible with one another. Every room seems to follow the unstable logic of dreams rather than that of modern a]]></description><link>https://www.youths.com/post/dal%C3%AD-s-house-reflects-his-obsession-a-far-cry-from-contemporary-aesthetics</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0db</guid><category><![CDATA[Art]]></category><pubDate>Mon, 11 May 2026 17:57:01 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_42e878f8096f472085408b6c5b450215~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Arms crossed, looking at the camera: Jamel Shabazz and the invention of the hip-hop pose]]></title><description><![CDATA[Arms crossed, shoulders rolled back, chin up, eyes fixed on the lens. This is the pose with which Run-DMC introduced themselves to the world. It’s the way generations of rappers have faced the camera.]]></description><link>https://www.youths.com/post/arms-crossed-looking-at-the-camera-jamel-shabazz-and-the-invention-of-the-hip-hop-pose</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc100</guid><category><![CDATA[Culture]]></category><pubDate>Thu, 07 May 2026 19:24:27 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_37bf6a0fc0134c9489aa4cec4376bdaa~mv2.jpeg/v1/fit/w_1000,h_829,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[When Skateboarding Becomes a Cultural Gesture: The Girls of Cairo]]></title><description><![CDATA[Ask the Girls in Cairo, a short film presented by NOWNESS and directed by JP Micallef, observes this practice without narrative filters, restoring skateboarding to its most authentic meaning: an urban language capable of expressing identity, belonging, and self-determination.


That territory now possesses a lexicon of its own. Those under thirty don’t talk about "stories," "couples," or "ongoing relationships." They talk about talking stages, situationships, and soft launches. ]]></description><link>https://www.youths.com/post/when-skateboarding-becomes-a-cultural-gesture-the-girls-of-cairo</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0ff</guid><category><![CDATA[Culture]]></category><pubDate>Wed, 06 May 2026 10:49:16 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_2eeaad9964d84ce4b000a477a05eb47a~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[No One Says "I Love You" Anymore: The Sentimental Anatomy of a Conscious Generation]]></title><description><![CDATA[There was a moment, impossible to date precisely, when the word "boyfriend" or "girlfriend" began to sound antiquated. Not wrong, not ridiculous, but simply insufficient. Like a paper map in the age of GPS coordinates: still readable, but incapable of describing the actual territory.



That territory now possesses a lexicon of its own. Those under thirty don’t talk about "stories," "couples," or "ongoing relationships." They talk about talking stages, situationships, and soft launches. ]]></description><link>https://www.youths.com/post/no-one-says-i-love-you-anymore-the-sentimental-anatomy-of-a-conscious-generation</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0da</guid><category><![CDATA[Culture]]></category><pubDate>Thu, 30 Apr 2026 10:16:12 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_37d3db7fcf8f49989610c237325b4609~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Paris: Vintage on the Outside, Contemporary on the Inside]]></title><description><![CDATA[There are cities you have to describe, and then there’s Paris, which seems to tell its own story. You only need to walk a few blocks to feel like you’re inside a scene you’ve seen before: soft lights, retro signs, café tables that are always full, people talking for hours without haste. It’s not manufactured; it’s not a set. It is simply the way the city exists.]]></description><link>https://www.youths.com/post/paris-vintage-on-the-outside-contemporary-on-the-inside</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0d9</guid><category><![CDATA[Culture]]></category><pubDate>Wed, 29 Apr 2026 12:15:52 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_eeed5eca89dc47f180d91566e6040e89~mv2.avif/v1/fit/w_465,h_672,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Loving Without Being Seen: Sage Sohier and Queer Couples in 1980s America]]></title><description><![CDATA[There is a photograph in which two women sit on the same sofa. They aren't doing anything extraordinary: one looks toward the lens, the other seems lost in thought. Around them is an ordinary room: books, objects, traces of daily life. 

There is no grand gesture, no explicit declaration. ]]></description><link>https://www.youths.com/post/loving-without-being-seen-sage-sohier-and-queer-couples-in-1980s-america</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0fe</guid><category><![CDATA[Culture]]></category><pubDate>Sun, 26 Apr 2026 09:39:13 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_b16e354344ad4cf9a640581a87065cb4~mv2.jpg/v1/fit/w_1000,h_860,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[MTV, Cassettes, and Big Hair: The '80s Before the Feed]]></title><description><![CDATA[An arcade on the boardwalk, the sharp clink of tokens against the cabinets. A small-town square at nine in the evening, mopeds parked in a row, groups forming and dissolving without needing to call one another. In the bedroom, above the bed: posters, tapes, magazine clippings—a personal composition that already resembles a timeline, yet remains static, private, and non-updatable.

]]></description><link>https://www.youths.com/post/mtv-cassettes-and-big-hair-the-80s-before-the-feed</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0d8</guid><category><![CDATA[Culture]]></category><pubDate>Tue, 21 Apr 2026 21:48:45 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_624b658fbe7247df8b54368260896d9f~mv2.jpg/v1/fit/w_810,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Six Weeks Before Madonna: Richard Corman’s 66 PolaroidsNew York, East Village, June 17, 1983.]]></title><description><![CDATA[An upper-floor apartment in a building on East Fourth Street, between Avenue A and B. To head up the stairs, you have to give advance notice: the local kids protect those who live there. On the fifth floor, a twenty-four-year-old with red lipstick and a faux beauty mark opens the door, serving espresso and bubblegum on a silver tray. Her name is Madonna Louise Ciccone. In six weeks, she will release her first album. But today, she is still just the girl from the Funhouse and Danceteria, DJ Jelly]]></description><link>https://www.youths.com/post/six-weeks-before-madonna-richard-corman-s-66-polaroidsnew-york-east-village-june-17-1983</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0fd</guid><category><![CDATA[Culture]]></category><pubDate>Fri, 17 Apr 2026 18:08:55 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_c27af387401b4a389f610f2efd26927f~mv2.webp/v1/fit/w_936,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Martin Parr and the Aesthetics of the Banal: Observation Without Judgment]]></title><description><![CDATA[A Feed Before Feeds

Then there is Common Sense, the project that perhaps more than any other anticipates the present. Conceived as an immersive installation in the late '90s, the series accumulated close-ups of food, packaging, bodies, and fashion. ]]></description><link>https://www.youths.com/post/martin-parr-and-the-aesthetics-of-the-banal-observation-without-judgment</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0fc</guid><category><![CDATA[Art]]></category><pubDate>Wed, 15 Apr 2026 18:10:15 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_f57718264c80410592453c7065369f5d~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Flooded Parking Lots and Neon Cowboys: Daniel Mirer Photographs the West Far from Hollywood]]></title><description><![CDATA[Along Interstate 40, somewhere between New Mexico and Arizona, a neon cowboy smiles into the void. His smile is intact; the paint is not. Below him lies a sun-cracked parking lot, a closed gas station, and an horizon dissolving into a white, motionless light. This is the America that Daniel Mirer has been photographing for thirty years: not the land of canyons at sunset and highways toward infinity, but the land of remnants—of what remains when the romantic gaze fades and the landscape returns t]]></description><link>https://www.youths.com/post/flooded-parking-lots-and-neon-cowboys-daniel-mirer-photographs-the-west-far-from-hollywood</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0d7</guid><category><![CDATA[Art]]></category><pubDate>Fri, 10 Apr 2026 14:10:02 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_42485bdd755a49e48e7061e1c763de85~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[Why the Miniskirt Remains a Symbol of Independence and Freedom]]></title><description><![CDATA[There was a precise moment when fashion stopped being just about aesthetics and became a language. It happened in the 1960s, when the streets began to matter more than the elite salons and style became a means of saying who you are, without asking for permission. It was in this landscape that the miniskirt was born: not just a garment, but a gesture. A clean break with the past, a declaration of freedom.]]></description><link>https://www.youths.com/post/why-the-miniskirt-remains-a-symbol-of-independence-and-freedom</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0fb</guid><category><![CDATA[Culture]]></category><pubDate>Fri, 10 Apr 2026 07:58:54 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_a92462c667cd446cb99a6a4f3de66ad3~mv2.jpg/v1/fit/w_500,h_648,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[From Cucumbers to Eye Patches: 100 Years of Eye Beauty Tips]]></title><description><![CDATA[There was a time when the ultimate in eye beauty was opening the fridge, 


Cream-colored train cars covered in raised pink and purple letters. Doors that opened onto backlit figures, amid flashing neon lights and the smell of iron and mold. The New York subway, between the late 1980s and early 1990s, was not just a transportation system. It was a landscape.



For years, the iconography of the New York subway in the 1980s and 1990s has circulated on social media as an inexhaustible repertoire. ]]></description><link>https://www.youths.com/post/from-cucumbers-to-eye-patches-100-years-of-eye-beauty-tips</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0fa</guid><category><![CDATA[Beauty]]></category><pubDate>Wed, 08 Apr 2026 09:14:06 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_e498df36b7e74d93b86d668f6eaea427~mv2.avif/v1/fit/w_816,h_817,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item><item><title><![CDATA[“Underground,” when the New York subway was a cultural manifesto.Cream-colored train cars covered in raised pink and purple letters. Doors that opened onto backlit figures, amid flashing neon lights]]></title><description><![CDATA[“Underground,” when the New York subway was a cultural manifesto.



Cream-colored train cars covered in raised pink and purple letters. Doors that opened onto backlit figures, amid flashing neon lights and the smell of iron and mold. The New York subway, between the late 1980s and early 1990s, was not just a transportation system. It was a landscape.



For years, the iconography of the New York subway in the 1980s and 1990s has circulated on social media as an inexhaustible repertoire. ]]></description><link>https://www.youths.com/post/underground-when-the-new-york-subway-was-a-cultural-manifesto-cream-colored-train-cars-covered-in</link><guid isPermaLink="false">6a0756dc47fa29fe8acdc0d6</guid><category><![CDATA[Culture]]></category><pubDate>Fri, 03 Apr 2026 18:23:39 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/b15220_7c5fb71adb554a5097b1cb81f3d44e1b~mv2.webp/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Youth  Magazine </dc:creator></item></channel></rss>